« Cosmogonia » : une expérience immersive de Yom

What happens when music no longer presents itself as a concert, but as an experience to pass through? When it is no longer merely heard, but inhabited?

With Cosmogonia, Yom offers an immersive performance on the edge of concert, installation and ritual. Conceived as a physical and mental passage, this solo creation invites the audience into a sensitive space where sound becomes matter, breath, vibration.

The fruit of fifteen years of research and a long-term technical obsession, Cosmogonia marks a turning point in Yom's career. Alone on stage, without any additional instrument, he takes on a dizzying challenge: to create an uninterrupted flow of notes from his clarinet alone.

Thanks to continuous breath, the speed of the arpeggios and a work of sound spatialisation and effects pedals activated live by the artist, phantom chords appear, sometimes giving the impression that he is not alone on stage.

Here, the aim is not to follow a narrative, but to let oneself be carried through states, intensities and shifting soundscapes. The sound circulates between bodies, transforms the perception of time and opens a rare, almost meditative space of listening.

Far from frontal spectacle, Cosmogonia proposes another way of being together: more intimate, more attentive, more sensory. An immersive and restorative experience, conceived as a moment of collective musical meditation.

Artist in residence at the Théâtre de la Concorde since the 2025-2026 season, Yom unveils here his first solo, created at the end of a residency at the theatre.

A radical artistic gesture, driven by absolute confidence in the possibilities of his instrument and in the power of sound as a sensitive experience.

This intimate form will be presented at the Studio Cardin in October, before an expanded version in the salle Joséphine Baker in November, as part of our theme devoted to trust.