Estl

She has this refined way of wrapping her words like soft, tangible offerings.

ESTL, a homophone of her first name Estelle in the digital age and text-messaging language, cultivates a melancholy tailored with a seamstress's scissors while showcasing lace-like songwriting, driven by the piano and infused with a vibratile elegance.

Nestled within her tracks are inner questioning and intimate conflicts, vivid and healing feelings, verses of uncertainty and choruses of light.

The twenty-three-year-old singer-songwriter asks her music for protection to face the bites of the past summoned by nostalgia, which is already establishing itself as a pervasive obsession throughout her repertoire.

Between a lucid observation of the inexorable march of passing time and the illusion of past projections, Te rencontrer encore embraces the intense desire to return to the burning dawn of a romance, to its first thrills and exhilarating moments.

The song, whose music video of diffuse tenderness features an older gay couple, is adorned with an orchestral crescendo and the dramaturgy of spoken word.

Because this is also the unique trait of this young woman from Bordeaux, capable of shifting with feline agility from sensitive, airy singing to an engaging spoken-rap that takes on the appearance of a missive.

Shades of Fauve, without the storm, incandescent urgency or raw language. Shades of Ben Mazué, an artist for whom she opened two shows, in her emotional and introspective sincerity.

Cabrel - a pillar of her childhood and revered - November Ultra, and Iliona also step forward to map out the territory.

Discovered on Instagram by Chad Boccara, producer at the head of Faubourg26 and keen talent scout (Solann, Suzane, Foé, Jeanne), ESTL has been singing since the age of three and started playing the piano at eleven at the Cestas music school.

Voice and piano—that is the favorite combo of sensory architects and captivating dreamers. Evolving in an environ