Fragments #14 : Noires Sœurs, chronique d’une famille décomposée / La Chasse au lapin

Created and coordinated by La Loge since 2013, the Fragments festival is now a major showcase for the new generation of contemporary theatre artists. It gives companies the chance to present an early stage of their work in progress. It thus allows the thirteen sponsored companies to enjoy a structuring period of visibility, fostering the consolidation of their productions and the start of distribution on a national scale.

Fragments is now an unmissable highlight, firmly established in the artistic landscape of Île-de-France and across France, offering the chance to discover ambitious artistic propositions in a wide range of forms and writing styles.

A genuine springboard, it allows the companies programmed to assert their identity, build their network and gain decisive visibility at a key stage of their careers.

Two “fragments” can be discovered at the Grand Parquet: Noires Sœurs, chronique d'une famille décomposée Sorcières&Cie – Sabine Pakora The daughter of an Ivorian millionaire, Sabine Pakora was sent to France as a child to continue her schooling at a private boarding school.

After her father's business collapsed, she was placed in the care of the Aide sociale à l'enfance.

Noires Sœurs, chronique d'une famille décomposée sets the disintegration of her family unit alongside that of the primary forest in Côte d'Ivoire, linking intimate history with an ecological, economic and political catastrophe.

La Chasse au lapin Compagnie Désemballer – Marie de Dinechin, Matteo Perez It was school that made her want to speak. Because she heard little rabbits at school. She heard little rabbits at school complaining that they had been hunted.

And that is when she said to herself, but I know that. And that is when she was told that it did not matter.