La Prochaine Fois Que Tu Mordras La Poussière

Collaboration on the adaptation and assistant direction: Marguerite de Hillerin. Set design: Christian Geschvindermann. Lighting design: Dominique Borrini. Music and sound design: Léo Nivot. Costumes: Clément Desoutter. Choreographic eye: Shanti Mouget.

With Vassili Schneider and Yann Pradal. Based on the novel by Panayotis Pascot. Adaptation and direction: Paul Pascot. “If you press your finger against a mirror, the reflected finger will never touch your real finger.

You can look more closely, there will always be a tiny gap, a millimetre's gap. Perhaps that's it, that I always have a millimetre's gap, that everything brushes against me, passes very close but never touches me.

He is going to die soon and I hold this ‘millimetre's gap’ from him. Obviously it is a protection, and one must teach one's children to protect themselves too. He resists penetration.

When he feels that it is starting to get in, that he is about to be touched, to be vulnerable, he gets up and leaves. ” In the mirror of a hospital waiting room, facing his son, the father reappears. Of the two, who will be the next to bite the dust?